Actors' Renaissance Season 2012
Cast
Benjamin Curns
Jupiter
Benjamin has been an Artistic Associate with the American Shakespeare Center since 2001. He has toured the country twice as an actor (Bright Heaven of Invention and Excellent Motion tours) and once as the Company Manager for the Beguile the Rich tour.

Gregory Jon Phelps *
Ganymede
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
Brandi Rhome
Juno
Previously with asc: More than 10 roles in 12 productions, including Ophelia in Hamlet; Luciana in The Comedy of Errors; Juliet in Romeo and Juliet; Luce in The Knight of …

Allison Glenzer
Venus
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Brandi Rhome
Mercury
Previously with asc: More than 10 roles in 12 productions, including Ophelia in Hamlet; Luciana in The Comedy of Errors; Juliet in Romeo and Juliet; Luce in The Knight of …

Gregory Jon Phelps *
Cupid
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.

Sarah Fallon *
Dido
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Brandi Rhome
Anna
Previously with asc: More than 10 roles in 12 productions, including Ophelia in Hamlet; Luciana in The Comedy of Errors; Juliet in Romeo and Juliet; Luce in The Knight of …

Allison Glenzer
A Nurse
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…

René Thornton Jr. *
Aeneas
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
Daniel Kennedy
Achates
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …

John Harrell
Ilioneus
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …

Jeremy L. West
Cloanthus
THIS SEASON: Fight Director (Macbeth, Henry V, All’s Well That Ends Well), Macduff and Witch #3 in Macbeth; Exeter and Erpingham in Henry V, King of France in All’s Well …

Chris Johnston
Sergestus
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.

Aidan O’Reilly *
Iarbus
Aidan O’Reilly is an actor and director with the American Shakespeare Center, known for his work on Shakespearean classics.
Artistic Team
Symmonie Preston
Understudy
This is Symmonie’s seventh season as troupe understudy, having previously understudied more than 300 roles in 29 productions during the 2013, 2014, and 2015 Summer and Fall Seasons, and the …

Jay McClure
Production Stage Manager
Jay joined the ASC in 1999. He was instrumental in the opening of the Playhouse and conceived and developed the Actors’ Renaissance Season.
Stuff that Happens before the play
- Ulysses, a Greek hero, delivers the gift of a giant wooden horse to Troy.
- As Troy falls, the gods command Venus’s son, Aeneas (a Trojan hero) to escape.
- Aeneas and his men set sail and roam the seas for seven years.
stuff that happens in the play
- Juno causes a storm to bring Aeneas to Carthage.
- Arriving on shore, Aeneas and a few of his men meet Venus (in disguise), who sends them to Queen Dido’s court.
- The other Trojans land elsewhere in Carthage and meet Iarbus, who invites them to the court.
- The Trojans reunite at court. Dido and Aeneas meet.
- Aeneas tells the story of the fall of Troy.
- Venus kidnaps Aeneas’s so, Ascanius, and replaces him with a disguised Cupid.
- At Venus’s request, Cupid pierces Dido’s breast with his love dart. Dido falls in love with Aeneas.
- Dido offers to repair Aeneas’s ships on the condition that he stays in Carthage with her.
- Juno and Venus join forces in a plan to get Aeneas to marry Dido so that he will not leave Carthage.
- Dido rejects Iarbus, who is in love with her.
- During a hunt, Juno raises a storm, forcing Dido and Aeneas to seek shelter together in a cave. Aeneas promises to remain in Carthage.
- Iarbus’s jealousy increase when sees Dido and Aeneas leaving the cave. He offers a sacrifice to the gods in an attempt to win Dido. Anna, Dido’s sister, tries to make Iarbus love her instead.
- Mercury reminds Aeneas of his prophecy: he must go to Italy to found a new civilization.
- Aeneas understands he must leave Dido to fulfill his destiny.
- Dido hears of Aeneas’s planned departure and orders him back to court.
- Fire ensues.
1. When was the play first performed?
Hard to say. All of Marlowe’s plays appeared between 1587 and 1593; but, because the play seems a transition from narrative poetry into drama, it’s probably on the early side.
2. Where was the play first performed?
The title page of the 1594 quarto printing says the play was acted by the Children of the Chapel, a boys company, who played occasionally at the Blackfriars before it was renovated as a theatre.
3. Who wrote it?
Christopher Marlowe (1564 – 1593), born the same year as Shakespeare, was the son of a shoemaker in Canterbury and earned a degree from Corpus Christi College, Cambridge. He had a meteoric career as a poet and playwright, was accused of heretical beliefs, may have been a spy, and was murdered in a tavern. The sensational elements of his life have inspired modern works of fiction about him, including Charles Nicholl’s The Reckoning and Anthony Burgess’s A Dead Man in Deptford.
4. How is this playwright like Shakespeare?
Marlowe’s daring imagination, contempt for convention, and magnificent use of blank verse clearly inspired Shakespeare’s early work and his influence appears as late as The Tempest, where Prospero is in some ways Shakespeare’s version of Marlowe’s Doctor Faustus.
5. How is this playwright unlike Shakespeare?
Marlowe’s characters seem to inhabit a liminal space between the gods and man, while Shakespeare’s characters seem to inhabit our world. In the case of Dido, Queen of Carthage, some of Marlowe’s characters are gods, and the others are mythic heroes. here, more than in his other plays, Marlowe’s characters give speeches – beautiful speeches – to one another; Shakespeare’s characters talk to one another.
6. What do scholars think about this play?
Always admired for its poetry and its retelling of the Dido and Aeneas story from Virgil’s Aeneid, the play has recently begun to get more respect as a play. Six years ago in London, Angels in the Architecture produced the play to good reviews, and last summer the American Shakespeare Center Theatre Camp staged the play (directed by Riley Steiner) at the Blackfriars Playhouse. The consensus was that this is a play that deserves frequent production.
7. Is there any controversy surrounding the work?
Some question about how much of it, if any, is the work of Thomas Nashe.
8. What characters should I especially look for?
The title character is a magnificent role.
9. What scene should I especially look for?
The opening scene with Zeus, Ganymede, and Venus is weird and wonderful. The scene in which Aeneas leaves Dido is haunting.
10. What is the language like?
Ravishing.









