Actors' Renaissance Season 2010
Cast
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
Wagner
previously with asc: 44 roles in 21 productions, including Cyrano in Cyrano de Bergerac; Benedick in Much Ado About Nothing; Puck in A Midsummer Night’s Dream; Warwick in Henry VI, …
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
Cornelius
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Mephistopheles
Benjamin has been an Artistic Associate with the American Shakespeare Center since 2001. He has toured the country twice as an actor (Bright Heaven of Invention and Excellent Motion tours) and once as the Company Manager for the Beguile the Rich tour.
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Old Man
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
Dick
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …
Vintner
Previously at asc: Ensemble in The Changeling; Ianthe in The Blind Beggar of Alexandria. other theatres: Niece, Lightborn in Edward II, gentleman in King Lear (Mary Baldwin College, MFA productions); …
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
Martino
Previously with asc: 28 roles in 13 productions, including Lady Macbeth in Macbeth; Rosalind in As You Like It; Elbow, Marianna in Measure for Measure; Mistress Page in The Merry …
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
Duchess of Vanholt
Previously with asc: 28 roles in 13 productions, including Lady Macbeth in Macbeth; Rosalind in As You Like It; Elbow, Marianna in Measure for Measure; Mistress Page in The Merry …
Bruno
previously with asc: 44 roles in 21 productions, including Cyrano in Cyrano de Bergerac; Benedick in Much Ado About Nothing; Puck in A Midsummer Night’s Dream; Warwick in Henry VI, …
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
Scholar
Previously with asc: 28 roles in 13 productions, including Lady Macbeth in Macbeth; Rosalind in As You Like It; Elbow, Marianna in Measure for Measure; Mistress Page in The Merry …
Artistic Team
Prompter/Stage Manager
Aaron has been the Resident Troupe Manager since the 2008 Summer Season. In previous seasons with the ASC, Aaron has directed The Santaland Diaries and A Christmas Carol; been the …
Understudy
perviously with asc: 15 roles in 6 productions, including Widow in Taming of the Shrew; Lady Northumberland in Henry IV, Part 2; Starveling in A Midsummer Night’s Dream. other theatres: …
Understudy
Aaron has been the Resident Troupe Manager since the 2008 Summer Season. In previous seasons with the ASC, Aaron has directed The Santaland Diaries and A Christmas Carol; been the …
Understudy
Previously at asc: Ensemble in The Changeling; Ianthe in The Blind Beggar of Alexandria. other theatres: Niece, Lightborn in Edward II, gentleman in King Lear (Mary Baldwin College, MFA productions); …
Stuff that happens in the play
- Dr. Faustus studies magic in his home in Wittenberg and is visited by a good angel who pleads for him to “lay that damned book aside” and an evil angel who exhorts him to “Go forward, Faustus, in that famous art.”
- Two of Faustus’s friends and fellow magicians urge him to join with them to “make all nations canonize [them].”
- Two scholars question Wagner, Faustus’s servant, about the Doctor’s activities, which they fear.
- Faustus uses his art to conjure Mephistopheles, whom he questions and sends to Lucifer to arrange a trade: for 24 years Faustus will receive the services of Mephistopheles to “live in all voluptuousness” and, in exchange, Lucifer will gain Faustus’s soul upon his death.
- Wagner notes that Robin (the clown) is “bare, out of service, and hungry”; Wagner asks Robin to be his servant and pupil, promising to teach him magic.
- Mephistopheles returns from Lucifer with a contract that Faustus must sign in blood.
- Faustus signs the contract, then questions Mephistopheles about hell; he asks Mephistopheles for books on spells, the planets, and all the plant life on earth; and he conducts and astrology debate.
- As Faustus asks Christ to save his soul, Lucifer and Beelzebub arrive to “show [Faustus] some pastime…all the Seven Deadly Sins.” After the show, Faustus says “this feeds my soul”; Lucifer gives him a book and returns to hell.
- Robin steals one of Faustus’s books and asks Dick to go away and conjure with him.
- Wagner reports on the trip Faustus has taken to Olympus to learn more about astronomy.
- Faustus travels to Rome to question the Pope.
- Robin and Dick use their magic to play tricks on a Vintner.
- Faustus meets with the German Emperor.
- The “face that launched a thousand ships,” more magic, dismemberments, and the final hour ensue.
1. When was the play first performed?
1593 or 1594.
2. Where was the play first performed?
At the Rose Theatre by the Admiral’s Men.
3. Who wrote it?
Christopher Marlowe (1564 – 1593), born the same year as Shakespeare, was the son of a shoemaker in Canterbury and earned a degree from Corpus Christi College, Cambridge. He had a meteoric career as a poet and playwright, was accused of heretical beliefs, may have been a spy, and was murdered in a tavern. The sensational elements of his life have inspired modern works of fiction about him, including Charles Nicholl’s The Reckoning and Anthony Burgess’s A Dead Man in Deptford.
4. How is this playwright like Shakespeare?
Marlowe’s daring imagination, contempt for convention, and magnificent use of blank verse clearly inspired Shakespeare’s early work and his influence appears as late as The Tempest, where Prospero is in some ways Shakespeare’s version of Marlowe’s Doctor Faustus.
5. How is this playwright unlike Shakespeare?
Marlowe’s characters seem to inhabit a liminal space between the gods and man, while Shakespeare’s characters seem to inhabit our world. Marlowe’s characters speak to an audience with breathtaking eloquence; Shakespeare’s also talk to one another.
6. What do scholars think about this play?
Doctor Faustus with its themes of human aspiration and human will versus divine law is one of the central texts of Western literature and has long inspired other writers from Goethe (Faust) to Peter Cook and Dudley Moore (Bedazzled [1967]).
7. Is there any controversy surrounding the work?
Yes. There are two texts of the play, A and B. The A-text is more poetic and decorous; the B-text is more violent and spectacular, and our production uses those scenes from B. Since both texts are comparatively short, some scholars have theorized that the play is incomplete. They are wrong. Sell your soul to the devil for 24 years of power and part of what you learn is that time flies by. That is what the play’s brevity teaches.
8. What characters should I especially look for?
Faustus and Mephistopheles may be the first odd-couple, and in a weird way this is a buddy play. Also don’t miss Sloth, Gluttony, Anger, Envy, Pride, Greed, and Lust.
9. What scene should I especially look for?
The scene in which Faustus conjures up the devil is pretty good. Also, there’s the scene where he plays jokes on the Pope. Oh, and the scene in which he is beheaded and it grows back. And of course the scene in which he is dragged down to hell.
10. What is the language like?
Ravishing.















