Actors' Renaissance Season 2010
Cast
Henry VI
Previously with asc: 28 roles in 13 productions, including Lady Macbeth in Macbeth; Rosalind in As You Like It; Elbow, Marianna in Measure for Measure; Mistress Page in The Merry …
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Duke of Gloucester
Benjamin has been an Artistic Associate with the American Shakespeare Center since 2001. He has toured the country twice as an actor (Bright Heaven of Invention and Excellent Motion tours) and once as the Company Manager for the Beguile the Rich tour.
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
Duke of Somerset
previously with asc: Tribulation Wholesome in The Alchemist; Somerset, Saye in Henry VI, Part 2; Caius Lucius in Cymbeline; Del Bosco in The Jew of Malta. Other credits: Tour Operations …
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Richard
Benjamin has been an Artistic Associate with the American Shakespeare Center since 2001. He has toured the country twice as an actor (Bright Heaven of Invention and Excellent Motion tours) and once as the Company Manager for the Beguile the Rich tour.
Earl of Salisbury
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …
Earl of Warwick
previously with asc: 44 roles in 21 productions, including Cyrano in Cyrano de Bergerac; Benedick in Much Ado About Nothing; Puck in A Midsummer Night’s Dream; Warwick in Henry VI, …
Jack Cade
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …
Dick the Butcher
previously with asc: 44 roles in 21 productions, including Cyrano in Cyrano de Bergerac; Benedick in Much Ado About Nothing; Puck in A Midsummer Night’s Dream; Warwick in Henry VI, …
Lord Saye
previously with asc: Tribulation Wholesome in The Alchemist; Somerset, Saye in Henry VI, Part 2; Caius Lucius in Cymbeline; Del Bosco in The Jew of Malta. Other credits: Tour Operations …
Alexander Iden
Colleen Kelly is an accomplished fight choreographer and director whose extensive experience with ASC spans over two decades.
Thomas Horner
Colleen Kelly is an accomplished fight choreographer and director whose extensive experience with ASC spans over two decades.
Artistic Team
Prompter/Stage Manager
Aaron has been the Resident Troupe Manager since the 2008 Summer Season. In previous seasons with the ASC, Aaron has directed The Santaland Diaries and A Christmas Carol; been the …
Dramaturg
Previously at asc: Hippolyta, Cobweb in A Midsummer Night’s Dream; Jaquine in The Blind Beggar of Alexandria. other theatres: Prospero in The Tempest (University Wits, Mary Baldwin College); Friar Lawrence, …
Understudy
perviously with asc: 15 roles in 6 productions, including Widow in Taming of the Shrew; Lady Northumberland in Henry IV, Part 2; Starveling in A Midsummer Night’s Dream. other theatres: …
Understudy
Aaron has been the Resident Troupe Manager since the 2008 Summer Season. In previous seasons with the ASC, Aaron has directed The Santaland Diaries and A Christmas Carol; been the …
Stuff that happens before the play
- The Yorks and Lancasters aren’t pleased with one another and wear red and white roses to prove it.
- The English have defeated the French and make sure that Joan of Arc meets her fiery end for witchcraft.
Stuff that happens during the play
- Henry VI marries Margaret who’s in cahoots Suffolk to influence the King and plot against the Protector of the Crown, the Duke of Gloucester.
- Gloucester’s wife, Eleanor, also has plans to influence the king and turns to witchcraft.
- The Duke of York reveals his claim to the throne and gains support from Salisbury and Warwick.
- The Earl of Suffolk is banished for the assassination of Gloucester and is killed by pirates as soon as he leaves England.
- Henry sends York to the wars in Ireland.
- York stages a rebellion through Jack Cade who rouses the rabble for the task and declares himself Mayor of London.
- Politicking, the Wars of the Roses, assassination, promises of revenge, and the rise of Richard III ensue.
1. When was the play first performed?
1591 or 1592.
2. Where was the play first performed?
We know from theatre owner Philip Henslowe’s diary that the Lord Strange’s Men performed the play at the Rose Theatre.
3. How does the play fit into Shakespeare’s career?
This play, among Shakespeare’s first, is part of his first “tetralogy,” a set of four plays that begin chronologically dealing with a young King Henry VI and go through the death of King Richard III.
4. How is this play like Shakespeare’s other plays?
Like the other early histories it is packed with action, overtly drawn characters, flamboyantly decorative verse, and strong dramatic irony. On display is Shakespeare’s usual taste for paradox and contradiction.
5. How is this play unlike other Shakespeare plays?
All of the Henry VI plays are different from Shakespeare’s other plays because the major protagonists shifts each time one of them dies in the packed storyline. It falls to the weak king and his ferocious wife Margaret to provide continuity.
6. What do scholars think about this play?
Some think it the best of the Henry VI trilogy. Shakespeare’s interest in strong women characters emerges in the character of Queen Margaret, and the comic treatment he gives to the Peasant’s Rebellion provides needed comic relief.
7. Is there any controversy surrounding the work?
The biggest controversy is the dating of the play. It appears in the Folio after The First Part of Henry the Sixth, but recent scholarship makes a strong case that Shakespeare wrote The Second Part first and that he added The First Part as a prequel.
8. What characters should I especially look out for?
Jack Cade, the leader of the Peasant’s Rebellion (in Shakespeare a tool of York), is n unforgettable character (somewhat reminiscent of Malcolm McDowell’s Alex in A Clockwork Orange). We also meet for the first time this hunchbacked guy named Richard Plantagenet, who will one day have a pretty good play of his own.
9. What scene should I especially look for?
Two ASC shows this season have conjuration scenes in them: Doctor Faustus, where we see Faustus summoning up Mephistopheles, and 2 Henry VI, which was written later, in which the Duchess of Gloucester summons up a few fiends. The language in the 2 Henry VI conjuring scene makes it clear that when Shakespeare liked something, his motto was – in Tom Lehrer’s words – plagiarize, plagiarize, plagiarize: let no one else’s work evade your eyes.”
10. What is the language like?
Lots of chewy speeches – Marlowe again – and playful rhetoric. Some fine prose too: “First thing we do, let’s kill all the lawyers.”















