January 4 – April 7, 2013
Rich, sexy, virile, powerful. Henry Tudor has everything. Everything except a male heir. Resolved to dissolve his marriage to Katherine of Aragon, Henry attempts to bend the church to his considerable will to grant him what he desires. Shakespeare and Fletcher’s dazzling play concludes the saga of the Kings of England with the story of one of its most fascinating monarchs — and the birth of one of its most glorious, Elizabeth.
Cast
Benjamin Curns
King Henry VIII
Benjamin has been an Artistic Associate with the American Shakespeare Center since 2001. He has toured the country twice as an actor (Bright Heaven of Invention and Excellent Motion tours) and once as the Company Manager for the Beguile the Rich tour.

Sarah Fallon *
Queen Katherine
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Tracie Thomason
Anne Bullen
PREVIOUSLY WITH ASC: More than 20 roles in 15 productions, including Juliet in Romeo and Juliet; Helena in All’s Well That Ends Well; Helen, Diomedes, Alexander in Troilus and Cressida; …

Allison Glenzer
Old Lady
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…

Abbi Hawk *
Patience
This Season: Alice Ford in The Merry Wives of Windsor; Lady Percy, Prince John in Henry IV, Part 1; Courtney Ash in Anne Page Hates Fun…

Gregory Jon Phelps *
Duke of Buckingham
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.

John Harrell
Cardinal Wolsey
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
Ronald Peet
Cardinal Campeius
previously with asc: Morocco, Duke in The Merchant of Venice; Eglamour in The Two Gentlemen of Verona; Guiderius, Brother in Cymbeline; Arthur in King John; Shepherd in The Winter’s Tale; …
Grant Davis
Gardiner
PREVIOUSLY WITH ASC: Octavius Caesar, Cinna in Julius Caesar; Harcourt in The Country Wife; Gardiner, Griffith in Henry VIII; Arnoldo in The Custom of the Country; Arcite in The Two …
Ronald Peet
Thomas Cranmer
previously with asc: Morocco, Duke in The Merchant of Venice; Eglamour in The Two Gentlemen of Verona; Guiderius, Brother in Cymbeline; Arthur in King John; Shepherd in The Winter’s Tale; …

René Thornton Jr. *
Duke of Norfolk
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …

Abbi Hawk *
Duke of Suffolk
This Season: Alice Ford in The Merry Wives of Windsor; Lady Percy, Prince John in Henry IV, Part 1; Courtney Ash in Anne Page Hates Fun…

Gregory Jon Phelps *
Earl of Surrey
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
Daniel Kennedy
Lord Chamberlain
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …

Chris Johnston
Sir Thomas Lovell
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.

Allison Glenzer
Thomas Cromwell
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Tracie Thomason
Doctor Butts
PREVIOUSLY WITH ASC: More than 20 roles in 15 productions, including Juliet in Romeo and Juliet; Helena in All’s Well That Ends Well; Helen, Diomedes, Alexander in Troilus and Cressida; …
Artistic Team
Abigail Ropp
Stage Manager/Prompter/Understudy
Abigail Ropp holds bachelor of arts degrees in English literature and theatre performance from Northern Michigan University. After an internship with the American Shakespeare Center in the summer of 2011, …
Christopher Moneymaker
Properties Master
Chris has been designing and building props for the ASC since 2012. In that time, he’s provided props for over 60 productions, including (from Shakespeare): The Merchant of Venice; The Two Gentlemen of Verona; Cymbeline; King John; Love’s Labour’s Lost; Twelfth Night; Julius Caesar; Henry VIII; The Two Noble Kinsmen; Romeo and Juliet; All’s Well That Ends Well; Troilus and Cressida; Othello; The Merry Wives of Windsor; Henry IV, Part 1; As You Like It; Timon of Athens; Macbeth; The Comedy of Errors; Pericles; Hamlet; Much Ado about Nothing; The Taming of the Shrew; Antony and Cleopatra; A Midsummer Night’s Dream; The Winter’s Tale; Henry VI, Parts 1, 2, and 3; Henry V; The Tempest; Measure for Measure; and King Lear.
Erin M. West
Costume Shop Manager
Erin has been designing and building costumes for the ASC since 2005. Past ASC shows she designed include: The Fair Maid of the West, Wild Oats, Romeo and Juliet (2009, …
Mika Nesbit
Wardrobe Manager
Mika Nesbit came to the American Shakespeare Center as an intern to work on the 2011 Summer and Fall Seasons. After graduating with a degree in Art and Theatre from …
Stuff that happens before the play
- The Wars of the Roses (or, all of Shakespeare’s Histories).
- King Henry VII’s oldest son, Arthur, marries Katharine of Aragon.
- Arthur dies.
- King Henry VII dies and his second son is crowned King Henry VIII.
- In accordance to custom, the new king marries his late brother’s wife, making Katharine of Aragon his queen.
Stuff that happens during the play
- The Duke of Norfolk describes to the Duke of Buckingham the grandiose pomp and ceremony of a recent diplomatic meeting between Henry VIII and the King of France, all of it designed by Cardinal Wolsey to further his influence over the King.
- Norfolk reveals that the diplomatic meeting has failed and that the French have seized English goods at Bordeaux.
- Wolsey and Buckingham exchange disdainful looks and Wolsey departs to complain about Buckingham to the King.
- Buckingham claims to Norfolk that he has proof of Wolsey’s treason against England and argues that King Henry should be warned.
- Wolsey has Buckingham arrested and taken to the Tower of London on trumped up charges.
- Queen Katharine interrupts a meeting between King Henry and Cardinal Wolsey to intercede on the behalf of over-taxed merchants. Wolsey proclaims ignorance of any problems regarding the taxation system.
- Henry orders a remittance of a portion of the taxes and Wolsey puts out the rumor that the remittance was at his own suggestion.
- Katharine protests the Duke of Buckingham’s arrest; but, the purchased testimony from Buckingham’s surveyor convinces Henry to put him on trial for treason.
- Cardinal Wolsey hosts a dinner at his palace. King Henry arrives, masqued, and dances with Anne Bullen.
- Two gentlemen gossip about the Duke of Buckingham and Cardinal Wolsey. Buckingham, under guard, passes by and denies his guilt to the gathered citizens. The gentlemen resume their gossip, now about the rumored separation of the King and Queen.
- Cardinal Wolsey begins to plot against Queen Katharine by bringing a papal legate to the Court to investigate the validity of the royal marriage.
- King Henry makes Anne Bullen the Marchioness of Pembroke, officially revealing his favor toward her.
- At Blackfriars Hall (which will, in a century’s time, become the Blackfriars Playhouse), the trial of Katharine of Aragon commences.
- Machinations, divorce, double dealing, pageantry, coronation, visions, and the birth of England’s Golden Age ensue.
1. When was the play first peformed?
The first recorded performance of Henry VIII, Or All is True was in 1613 when the play literally brought down the house when a spark ignited the thatch roof of the Globe and burned it to the ground.
2. Where was the play first performed?
It makes economic sense to assume the play opened at the Blackfriars Playhouse because 84 years earlier Henry VIII divorced Katharine of Aragon in a trial at the Blackfriars, and Shakespeare’s company would have wanted to stage the most important break-up in English history in the very building where it had taken place – Marketing 101.
3. How does the play fit into Shakespeare’s career?
At the end. Shakespeare, in semi-retirement in Stratford, collaborated on the play with John Fletcher, who succeeded Shakespeare as the company’s playwright.
4. How is this play like Shakespeare’s other plays?
Shakespeare wrote ten plays about English history, and with this production the ASC has now staged all of them. All of his history plays see a pattern – providential or ironically cyclical – in the story of the English kings. And then there’s Katherine, another of Shakespeare’s strong women.
5. How is this play unlike other Shakespeare plays?
More spectacle, less scandal. Shakespeare and Fletcher needed to worry about how King James I and his court would feel about their play. Show too much sympathy for the Catholic Katherine and they offend the reformists around James; show too little and they offend the King’s high church advisors. As a result, the play deals delicately with the peccadilloes of Henry VIII and – uncharacteristically for Shakespeare – makes him smaller not larger than life.
6. What do scholars think about this play?
They admire it for its navigation of the politics of the period. Because of its subject mater and its spectacle, the play was more popular in the 19th century than in the 20th, but interest in the play has revived with the Royal Shakespeare Company’s 1996 production, and in the last three years there have been successful productions at the Globe and the Folger.
7. Are there any controversies surrounding the work?
Scholars have spent some time trying to work out which parts Shakespeare wrote and which parts Fletcher.
8. What characters should I especially look out for?
Katherine is a great role, and Wolsey is a fine “villain.”
9. What scene should I especially look for?
The trial at the Blackfriars, of course.
10. What is the language like?
Abundant. Sometimes business-like (perhaps a trifle clerical) and sometimes playful.









