March 9 – April 3, 2016
In William Congreve’s witty farce, love and money square off as two brothers attempt to follow their hearts without losing their inheritance. Populated by a lover named Valentine; his clever beloved, Angelica; a less-than-virtuous Miss Frail; and a braggart, Tattle, Love for Love takes a satirical and sardonic look into Restoration-era romance.
Cast
Sir Sampson Legend
PREVIOUSLY WITH ASC: Weird Sister, Macduff in Macbeth; Lignière, Bellerose, Carbon in Cyrano de Bergerac; Antipholus of Ephesus in The Comedy of Errors; Pembroke, Spencer Senior in Edward II; Simonides, …
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
Benjamin has been a resident company member with the American Shakespeare Center since 2014.
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
Jeremy
PREVIOUSLY WITH ASC: Orlando in As You Like It; Macduff, Bloody Captain in Macbeth; Duke in Measure for Measure. OTHER THEATRES: Jay/Clair de Lune in Mare in the Men’s Room …
Angelica
PREVIOUSLY WITH ASC: Francisco, Voltemond, Player Villain in Hamlet; Ursula, Boy in Much Ado About Nothing; Second Scholar, Envy, Friar Frederick, Duchess in Doctor Faustus; Musician in Wittenberg. OTHER THEATRES: …
Lauren has been an actor at the American Shakespeare Center in 32 productions and is currently the Properties Master and Choreographer for the Summer/Fall Season. She has a BA from …
Aidan O’Reilly is an actor and director with the American Shakespeare Center, known for his work on Shakespearean classics.
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
THIS SEASON: Actor in THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (abridged) [revised] (again)
Lauren has been an actor at the American Shakespeare Center in 32 productions and is currently the Properties Master and Choreographer for the Summer/Fall Season. She has a BA from …
Artistic Team
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Stage Manager/Prompter
Lauren is a proud company member of The Keegan Theatre in Washington, DC where she has worked as a stage manager, assistant director and dramaturg. Her Keegan credits include Hair, …
Properties Master
Chris has been designing and building props for the ASC since 2012. In that time, he’s provided props for over 60 productions, including (from Shakespeare): The Merchant of Venice; The Two Gentlemen of Verona; Cymbeline; King John; Love’s Labour’s Lost; Twelfth Night; Julius Caesar; Henry VIII; The Two Noble Kinsmen; Romeo and Juliet; All’s Well That Ends Well; Troilus and Cressida; Othello; The Merry Wives of Windsor; Henry IV, Part 1; As You Like It; Timon of Athens; Macbeth; The Comedy of Errors; Pericles; Hamlet; Much Ado about Nothing; The Taming of the Shrew; Antony and Cleopatra; A Midsummer Night’s Dream; The Winter’s Tale; Henry VI, Parts 1, 2, and 3; Henry V; The Tempest; Measure for Measure; and King Lear.
Jenny McNee joined the ASC in 2002 after studying in Richmond, Charlottesville, and Edinburgh, Scotland. She has designed and built nearly 100 shows (60 resident and touring shows, 35 holiday …
Costume Liaison
Beginning in 2012 as a Costume Shop Intern, Liz Schneider now performs dual duty as Assistant Costume Designer and Costume Liaison for the Actors’ Renaissance Season. Over the past four …
Wardrobe Manager
Molly Beth Seremet holds an M.Litt/MFA in Shakespeare and Performance from Mary Baldwin University and an M.Res in Creative Research from Roehampton University. Recent directing credits include Der Wal: A …
Understudy
This is Symmonie’s seventh season as troupe understudy, having previously understudied more than 300 roles in 29 productions during the 2013, 2014, and 2015 Summer and Fall Seasons, and the …
Stuff that Happens During the Play
- Valentine Legend, a young gentleman, has squandered his money by living an irresponsible and riotous life. Deeply in debt and practically destitute, Valentine must take desperate measures to hold on to his beloved Angelica, resorting to blackmailing one of his creditors.
- Valentine’s father, Sir Sampson Legend, reveals his plans to get Valentine out of debt, only if Valentine agrees to sign away his rights as Sir Sampson’s heir to Ben Legend, Valentine’s younger brother who is currently at sea.
- Meanwhile, Foresight, an old fool a little too invested in astrology, brings his unsophisticated daughter, Prue, in from the country and plans to marry her to Ben.
- Angelica teases her uncle, Foresight, for his reliance on astrology, angering him and causing him to threaten her relationship with Valentine. Angelica, nettled, leads Foresight to believe that his beautiful young wife has not been faithful to him.
- Sir Sampson agrees with Foresight to Ben and Prue’s marriage, which is almost broken when Sir Sampson also jokingly hints that Foresight’s wife isn’t true to him. The two make amends.
- Valentine, seeking Angelica, finds his father at Foresight’s house. Sir Sampson disowns him as a son while Valentine tries to get him to change his mind about the conditions of their deal.
- Mrs. Foresight and Mistress Frail, sisters, argue over their individual indiscretions; Mistress Frail announces her intent to marry Ben and enlists her sister in the endeavor. In the meantime, Prue finds herself charmed by an acquaintance of Valentine, Tattle, though he quickly grows bored with the unrefined country girl.
- Ben returns from his voyage and declares his disinterest in marriage, though the charming Mistress Frail quickly changes his mind about taking a wife. When he meets his intended, Prue, the two do not get along.
- Scandal, another friend of Valentine, manages to convince Foresight that Valentine should not sign over his inheritance. Then, to suit his own fancy, Scandal hoodwinks Foresight too so he can flirt with Mrs. Foresight. Soon after, Ben and Mistress Frail declare their love and intend to marry.
- Broken engagements, fake weddings, pretend lunacy, and revelations ensue.
1. When was the play first performed?
1695.
2. Where was the play first performed?
The “tennis court” theatre in Lincoln’s Inn Fields.
3. Who wrote it?
William Congreve (1670-1729), whose father was a Cavalier, ran in important literary circles. He was a friend of the satirist Jonathan Swift and a disciple of the poet and playwright John Dryden. From the age of 23 to 30 he wrote five plays, including this play, his most popular, and The Way of the World, the great English example of the Comedy of Manners. His early success and his good conversation won him the favor of people in high society, most of them women, that got him comfortably through the second half of his life.
4. How is this playwright like Shakespeare?
Like many of the men who wrote Restoration comedies, Congreve had an ear like Shakespeare’s for the well-turned phrase; and his leading ladies, particularly Angelica in this play and Millamant in The Way of the World, have a depth to them reminiscent of Shakespeare’s heroines.
5. How is this playwright unlike Shakespeare?
Unlike Shakespeare and Shakespeare’s contemporaries, Congreve and his fellow Restoration playwrights worked on a smaller comic canvas, mostly the romantic relations of wealthy people in high society and their hangers on. Any semblance of the outside world and its pressures barely intrudes on these indoor dramas.
6. What do scholars think about this play?
They enjoy it but give it less attention than Congreve’s Way of the World.
7. Does any controversy surround the work?
Not today and not for this play in particular, but social critics of the time (notably Jeremy Collier) lumped Congreve’s work in other Restoration comedies and condemned them for their sexual innuendo and their lack of moral value.
8. What characters should I especially look for?
Sir Sampson Legend. ’Nuff said.
9. What scene should I especially look for?
The scene between Miss Prue and Tattle is a delightful satire on the rules of courtship.
10. What is the language like?
Supple and delightful. You’ll hear so many delicious phrases, you’ll want to buy the script (which is available in our shop).


















