Actors' Renaissance Season 2012
Cast
Richard
Benjamin has been an Artistic Associate with the American Shakespeare Center since 2001. He has toured the country twice as an actor (Bright Heaven of Invention and Excellent Motion tours) and once as the Company Manager for the Beguile the Rich tour.
Anne
Previously with asc: More than 10 roles in 12 productions, including Ophelia in Hamlet; Luciana in The Comedy of Errors; Juliet in Romeo and Juliet; Luce in The Knight of …
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Richard
Previously with asc: More than 10 roles in 12 productions, including Ophelia in Hamlet; Luciana in The Comedy of Errors; Juliet in Romeo and Juliet; Luce in The Knight of …
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
Marquess of Dorset
Previously with asc: More than 10 roles in 12 productions, including Ophelia in Hamlet; Luciana in The Comedy of Errors; Juliet in Romeo and Juliet; Luce in The Knight of …
Aidan O’Reilly is an actor and director with the American Shakespeare Center, known for his work on Shakespearean classics.
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
Lord Hastings
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …
THIS SEASON: Fight Director (Macbeth, Henry V, All’s Well That Ends Well), Macduff and Witch #3 in Macbeth; Exeter and Erpingham in Henry V, King of France in All’s Well …
Aidan O’Reilly is an actor and director with the American Shakespeare Center, known for his work on Shakespearean classics.
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
THIS SEASON: Fight Director (Macbeth, Henry V, All’s Well That Ends Well), Macduff and Witch #3 in Macbeth; Exeter and Erpingham in Henry V, King of France in All’s Well …
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
THIS SEASON: Fight Director (Macbeth, Henry V, All’s Well That Ends Well), Macduff and Witch #3 in Macbeth; Exeter and Erpingham in Henry V, King of France in All’s Well …
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
Artistic Team
Understudy
This is Symmonie’s seventh season as troupe understudy, having previously understudied more than 300 roles in 29 productions during the 2013, 2014, and 2015 Summer and Fall Seasons, and the …
Jay joined the ASC in 1999. He was instrumental in the opening of the Playhouse and conceived and developed the Actors’ Renaissance Season.
STUFF THAT HAPPENS BEFORE THE PLAY
- Henry VI, Parts 1-3: The Wars of the Roses. The House of York (the white rose), led by Edward Plantagenet, overthrows the House of Lancaster and King Henry VI (the red rose).
- Edward Plantagenet becomes King Edward IV of England.
STUFF THAT HAPPENS DURING THE PLAY
- Richard is “determined to prove a villain” and seize the throne; he tells the audience his plans.
- Richard arranges for the arrest of his brother George (the Duke of Clarence); Richard tries to turn George against their other brother, King Edward IV, by telling him that Edward’s wife (Elizabeth) ordered his arrest.
- Richard interrupts the funeral procession of King Henry VI to woo Lady Anne. Although he murdered Henry (Anne’s father-in-law) and Prince Edward (her husband), Richard tells Anne that he did it out of love for her. Anne accepts Richard’s ring.
- Richard confronts Elizabeth and accuses her of committing the actions he set in motion. Margaret, Henry VI’s widow, returns from banishment and predicts Richard’s downfall.
- Richard has assassins kill George; he then goes to visit King Edward IV, who is near death. The King appeals to Elizabeth and Richard for peace, and they say they agree. Edward dies believing himself responsible for his brother George’s death.
- Richard has Elizabeth’s relatives Rivers and Grey imprisoned.
- Richard has dead King Edward’s sons “housed” in the Tower to await the coronation of Prince Edward.
- Richard has Rivers, Grey, and Hastings executed.
- Richard and Buckingham stage a scene in which London citizens “persuade” Richard to accept the crown.
- Richard denies Elizabeth, Anne, and the Duchess access to the young princes in the Tower.
- Richard (now King Richard III) wishes death on the princes; Buckingham pauses to consider his response.
- More deceit, bloodshed, battle, and the emergence of England’s hope ensue.
1. When was the play first performed?
1592 or 1593.
2. Where was the play first performed?
At the Theatre, James Burbage’s outdoor playhouse north of the city wall.
3. How does the play fit into Shakespeare’s career?
It comes near the beginning of his career and follows the three Henry VI plays (“which oft our stage hath shown”) as the final play of the first history tetralogy. Judging from the five editions of the play that appeared in his lifetime and the fact that the company’s star, Richard Burbage, was linked to the role for the reset of his career, we may suppose Richard III to be Shakespeare’s first blockbuster.
4. How is this play like Shakespeare’s other plays?
Like the Henry VI plays before it (and Marlowe’s Tamburlaine the Great, which so influenced it), the play is packed with action, overtly drawn characters, flamboyantly decorative verse, and strong dramatic irony.
5. How is this play unlike other Shakespeare plays?
Whereas the central figure (the audience’s avatar) shifts from character to character in the three Henry VI plays that came before; in this play, a single, unmistakable, unforgettable character has our attention – Richard.
6. What do scholars think about this play?
They think it is wonderful, as in “full of wonders,” and they recognize its remarkable theatrical appeal. They also see the distance Shakespeare traveled from this early study of an ambitious murderer to Macbeth.
7. Are there any controversies surrounding the work?
Yes: not literary or theatrical controversy but historical. This play is the culmination of almost a century of Tudor propaganda that demonizes Richard as a way of justifying the reign of Henry VII, who took his throne and who was the grandfather of Elizabeth I, under whose watchful eye Shakespeare was writing. Was the real Richard a monster? No more than most despots. Did he kill the princes in the tower? Probably, but if you want a good read to the contrary, get hold of Josephine Tey’s wonderful The Daughter of Time.
8. What characters should I especially look out for?
You won’t need to look for him; he’ll find you. Richard, Duke of Gloucester, later King Richard III, is a role that has made stars of actors from Richard Burbage to Ian McKellen.
9. What scene should I especially look for?
The two scenes in which Richard woos ladies – one to be his wife (1.2) and one to be his mother-in-law (4.4) – are pay-per-view worthy bouts of language that work as bookends for the play. The murder of Clarence, the games with Hastings’s head, Richard’s coronation – all these are good family fun.
10. What is the language like?
A Mensa amusement park.


















