September 11 – November 28, 2015
The world whirls out of control in Shakespeare’s thrilling tale of France’s Joan of Arc, the English warrior Talbot, and the young king Henry. From the funeral of Henry V that opens the play to Joan’s fiery execution, Shakespeare’s brilliant first installment of the Wars of the Roses is riveting storytelling that never lets up.
Cast
Stephanie Holladay Earl is an accomplished actor, director, choreographer, & educator with over 15 years of experience, known for her impactful work.
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Mercutio and Montague in Romeo and Juliet and Dromio of Ephesus in The Comedy of Errors; Fight Captain
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
THIS SEASON: Host, Mistress Quickly in The Merry Wives of Windsor; Earl of Westmoreland, Mistress Quickly in Henry IV, Part 1…
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
THIS SEASON: Antonio in The Tempest; Cleon, Simonides, Ensemble in Pericles; Prospero in Une Tempête
Mercutio and Montague in Romeo and Juliet and Dromio of Ephesus in The Comedy of Errors; Fight Captain
This Season: Alice Ford in The Merry Wives of Windsor; Lady Percy, Prince John in Henry IV, Part 1; Courtney Ash in Anne Page Hates Fun…
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Mercutio and Montague in Romeo and Juliet and Dromio of Ephesus in The Comedy of Errors; Fight Captain
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Artistic Team
Director
Jim Warren is the Artistic Director and Co-Founder of the American Shakespeare Center. He directed ASC’s first show, Richard III (in which he played Buckingham), and by the end of …
Stage Manager/Assistant Director
Lauren is a proud company member of The Keegan Theatre in Washington, DC where she has worked as a stage manager, assistant director and dramaturg. Her Keegan credits include Hair, …
THIS SEASON: Fight Director (Macbeth, Henry V, All’s Well That Ends Well), Macduff and Witch #3 in Macbeth; Exeter and Erpingham in Henry V, King of France in All’s Well …
Costume Designer
Jennifer Bronsted is the resident costume designer/costume shop manager at Gulfshore Playhouse in Naples, Florida. She holds a Master of Fine Arts from University of Alabama and has worked with …
Properties Master
Chris has been designing and building props for the ASC since 2012. In that time, he’s provided props for over 60 productions, including (from Shakespeare): The Merchant of Venice; The Two Gentlemen of Verona; Cymbeline; King John; Love’s Labour’s Lost; Twelfth Night; Julius Caesar; Henry VIII; The Two Noble Kinsmen; Romeo and Juliet; All’s Well That Ends Well; Troilus and Cressida; Othello; The Merry Wives of Windsor; Henry IV, Part 1; As You Like It; Timon of Athens; Macbeth; The Comedy of Errors; Pericles; Hamlet; Much Ado about Nothing; The Taming of the Shrew; Antony and Cleopatra; A Midsummer Night’s Dream; The Winter’s Tale; Henry VI, Parts 1, 2, and 3; Henry V; The Tempest; Measure for Measure; and King Lear.
Stephanie Holladay Earl is an accomplished actor, director, choreographer, & educator with over 15 years of experience, known for her impactful work.
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
Mercutio and Montague in Romeo and Juliet and Dromio of Ephesus in The Comedy of Errors; Fight Captain
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
Understudy
This is Symmonie’s seventh season as troupe understudy, having previously understudied more than 300 roles in 29 productions during the 2013, 2014, and 2015 Summer and Fall Seasons, and the …
Stuff that happens before the play
- Shakespeare’s The Life of King Henry the Fifth (playing at the Blackfriars in 2015/16). King Henry the Fifth of England wins the battle of Agincourt, accepts the surrender of France, marries the French King’s daughter, and the two of them have a son.
Stuff that happens during the play
- While mourning the untimely death of Henry the Fifth, the royal family learns of widespread French victories against the English forces.
- In France, Charles the Dauphin meets Joan la Pucelle (Joan of Arc). Joan quickly defeats Charles in combat, wins his trust, and claims she is assigned by God “to be the English scourge.”
- At the Tower of London, the Duke of Gloucester, young King Henry the Sixth’s protector, fights with his uncle, the Bishop of Winchester.
- Joan meets Talbot, the great English warrior, on the battlefield. They fight, but Joan tells Talbot that his “hour is not yet come.” Talbot takes Orleans.
- In London, lords of the houses of York (white rose) and Lancaster (red rose) symbolically pluck their roses, setting the stage for the brutal Wars of the Roses to come.
- On his deathbed, Edmund Mortimer declares his nephew, Richard Plantagenet, to be the rightful heir to the throne of England.
- King Henry worries about England’s internal conflicts and names Richard Plantagenet as Duke of York.
- In Paris, Henry is named King of France and orders Talbot to march on the French.
- Outside Bordeaux, Talbot learns that the French approach with 10,000 men.
- Death, witchcraft, marriage, immolation, and Margaret of Anjou ensue. 
No debate: don’t conflate
Shakespeare’s three plays that cover the reign of King Henry the Sixth have not gotten the love they deserve over the years. Maybe the reason is because some scholars believe 1H6 was co-authored by Thomas Nashe (and/or others). Perhaps it’s because some scholars believe 2H6 and 3H6 were written first and then Shakespeare wrote 1H6 as a prequel. Or maybe some elitist folks are just snobbish about the “baseness” in the high number of fights, skirmishes, and broad battle scenes that seem to be inspired by the box office blockbuster Tamburlaine the Great by Christopher Marlowe. Whatever the criticisms may be, our mission with this production is to entertain your socks off with the beginning of Shakespeare’s King Henry the Sixth trilogy. Call it a new hope.
Some analyses of sixteenth century records say that 1H6 was a box office hit in 1592. But performances of 1H6 as a stand-alone play have been somewhat scarce ever since. Centuries after its first performances, conflations became king as theatres thought the only way to tell the H6 story was to reduce the three plays down to two. 1H6 has often been diminished to bits and pieces mashed-up with parts of 2H6 to create one play while the second half of 2H6 has been combined with a truncated 3H6 to create a second mash-up. Some of the more famous conflations over the years have even eliminated Joan of Arc and Talbot in order to take the three plays down to two. WHAT?! It’s like saying “I like the Beatles, but their catalogue is too large, so we’re going to remove all the John Lennon songs.” Or “I like the three original Star Wars films, but they’ve got too much material in them to be popular; so let’s cut out Han and Chewie so we can slice them down to be only two movies.” WHAT?!
Our production of Shakespeare’s Joan of Arc (Henry VI, Part 1) gives you all the great stuff Shakespeare (and whomever) put in it: the end of the 100 Years War between England and France, with all the fights and skirmishes, and deaths; the story of the mighty Talbot; the story of the amazing Joan; the start of the story of young King Henry; the introduction of the fabulous and deadly Margaret; and setting the stage for the white vs. the red Wars of the Roses. Maybe we’re on the cutting edge by going back to the text (like we are going back to the future re-creating Shakespeare’s staging conditions) rather than “helping poor Shakespeare” by cutting and pasting his three Henry VI plays and hanging some kind of “new concept” on them. Hopefully you love Shakespeare’s Joan of Arc this fall so much that you’ll brag about it to your friends and family so they’ll see it too. And then all of you can join us in 2016 for The Rise of Queen Margaret (Henry VI, Part 2).
With a new Star Wars trio of films coming soon, we invite you to join us for the opening installment of Shakespeare’s original trilogy first.
JIM WARREN
Artistic Director and Co-founde





















