Actors' Renaissance Season 2010
Cast
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Parthenius
Benjamin has been an Artistic Associate with the American Shakespeare Center since 2001. He has toured the country twice as an actor (Bright Heaven of Invention and Excellent Motion tours) and once as the Company Manager for the Beguile the Rich tour.
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
THIS SEASON: Friar Lawrence in Romeo and Juliet and Antipholus of Ephesus in The Comedy of Errors.
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Aelius Lamia
previously with asc: 44 roles in 21 productions, including Cyrano in Cyrano de Bergerac; Benedick in Much Ado About Nothing; Puck in A Midsummer Night’s Dream; Warwick in Henry VI, …
Domitia
Previously with asc: 28 roles in 13 productions, including Lady Macbeth in Macbeth; Rosalind in As You Like It; Elbow, Marianna in Measure for Measure; Mistress Page in The Merry …
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
Junius Rusticus
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …
Philargus
Previously with asc: More than 44 roles in 43 productions, including Balthazar, Antonio in Much Ado About Nothing; Hastings in Richard III; Sir Bounteous Progress in A Mad World, My …
THIS SEASON: Mark Antony in JULIUS CAESAR, Mrs. Bennet & Lady Catherine de Bourgh in PRIDE AND PREJUDICE, Egeus & Flute in A MIDSUMMER NIGHT’S DREAM
Stephanos
previously with asc: 44 roles in 21 productions, including Cyrano in Cyrano de Bergerac; Benedick in Much Ado About Nothing; Puck in A Midsummer Night’s Dream; Warwick in Henry VI, …
Lictor
Colleen Kelly is an accomplished fight choreographer and director whose extensive experience with ASC spans over two decades.
Artistic Team
Stage Manager/Prompter
Aaron has been the Resident Troupe Manager since the 2008 Summer Season. In previous seasons with the ASC, Aaron has directed The Santaland Diaries and A Christmas Carol; been the …
Understudy
perviously with asc: 15 roles in 6 productions, including Widow in Taming of the Shrew; Lady Northumberland in Henry IV, Part 2; Starveling in A Midsummer Night’s Dream. other theatres: …
Understudy
Aaron has been the Resident Troupe Manager since the 2008 Summer Season. In previous seasons with the ASC, Aaron has directed The Santaland Diaries and A Christmas Carol; been the …
Stuff that happens before the play
- Actors satirize the ruling class and offend Artenius, Domitianus Caesar’s informer.
- Caesar fails to impress Roman senators, who sentimentalize the rule of his brother and his father before him.
- Caesar leaves to fight wars.
stuff that happens in the play
- Actors Paris, Latinus, and Aesopus lament their profession’s modest prospects due to political uncertainty and find solace in the fact that Caesar is their patron.
- The Roman senate calls in Paris; Paris defends his profession and the importance of satire and free speech. The hearing is cut short because Caesar returns victorious from war.
- Caesar forces Senator Aelius Lamia to agree to divorce his wife, Domitia, so that she can join the ruler’s concubines.
- Domitia enjoys her status a little too much for the liking of the other concubines. She especially likes theatre and develops an affection for actors.
- Plays within plays, executions, assassination plots, banishments, and onstage torture and mayhem ensue.
1. When was the play first performed?
1626.
2. Where was the play first performed?
At the Blackfriars Playhouse by the King’s Men.
3. Who wrote it?
Philip Massinger (1583-1640), whose father served as a member of Parliament, was educated at St. Albans, Oxford, and succeeded John Fletcher (who succeeded Shakespeare) as the company playwright for the King’s Men. His most famous plays are A New Way to Pay Old Debts and The City Madam, but The Roman Actor was his personal favorite. He died in 1640 and was buried in what is now Southward Cathedral, where you can see his stone next to those of his mentor Fletcher and Shakespeare’s brother Edmund.
4. How is this playwrights like Shakespeare?
Some of his characters have Shakespearean size, and at the heart of The Roman Actor is a Shakespearean fascination with plays within plays.
5. How is this playwrights unlike Shakespeare?
Shakespeare rather famously hid his own point of view; Massinger makes his point of view quite clear.
6. What do scholars think about this play?
Because we have the cast list from this play and because it so clearly is about the connection between the King’s Men and politics, the play has long been an important window into the Caroline world of theatre. Respect for the play as a piece of theatre has grown ever since the Royal Shakespeare Company staged the play (with Anthony Sher as the tyrant, Domitianus Caesar) in 2002. Fans of the ASC’s Bring ’em Back Alive series already knew that after a reading of the play earlier in 2002.
7. Is there any controversy surrounding the work?
The play is a not-so-veiled message to the new King Charles warning against despotism.
8. What characters should I especially look for?
Casear is an unforgettable tyrant, whether he is played as a ferocious animal (Anthony Sher) or a menacingly witty and sardonic mastermind (Gordon Braden).
9. What scene should I especially look for?
Paris’s speech about the importance of theatre became a set piece in the English theatre, Domitia’s seduction of Paris is riveting as is the play they put on “for” Caesar. Warning: the play contains a scene of torture.
10. What is the language like?
Though Massinger’s language here is beautiful and hearkens back to Shakespeare and Jonson, it also sounds more modern by a generation.















