February 18 – April 2, 2016
Inspired by Shakespeare’s The Tempest, Fletcher and Massinger’s homage throws French pirates, Portuguese castaways, and a society of Amazonian women together on a New World island. Replete with shipwrecks, unexpected love, reunions, and a little buried treasure, The Sea Voyage will take audiences on an unforgettable adventure.
Cast
Albert
PREVIOUSLY WITH ASC: Orlando in As You Like It; Macduff, Bloody Captain in Macbeth; Duke in Measure for Measure. OTHER THEATRES: Jay/Clair de Lune in Mare in the Men’s Room …
Lauren has been an actor at the American Shakespeare Center in 32 productions and is currently the Properties Master and Choreographer for the Summer/Fall Season. She has a BA from …
PREVIOUSLY WITH ASC: 27 seasons and over 200 roles including Falstaff in Henry IV, Parts 1 & 2; Brutus in Julius Caesar; Iago in Othello; Guildenstern in Rosencrantz and Guildenstern …
Aidan O’Reilly is an actor and director with the American Shakespeare Center, known for his work on Shakespearean classics.
Morillat
PREVIOUSLY WITH ASC: Weird Sister, Macduff in Macbeth; Lignière, Bellerose, Carbon in Cyrano de Bergerac; Antipholus of Ephesus in The Comedy of Errors; Pembroke, Spencer Senior in Edward II; Simonides, …
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
THIS SEASON: Actor in THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (abridged) [revised] (again)
Benjamin has been a resident company member with the American Shakespeare Center since 2014.
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
More than 186 roles in 101 productions, including Volumnia in Coriolanus, Olivia in Twelfth Night; Regan in King Lear; Margaret in both Henry VI, Part 1 and Part 2; Isabella in Measure for Measure;…
Clarinda
PREVIOUSLY WITH ASC: Francisco, Voltemond, Player Villain in Hamlet; Ursula, Boy in Much Ado About Nothing; Second Scholar, Envy, Friar Frederick, Duchess in Doctor Faustus; Musician in Wittenberg. OTHER THEATRES: …
THIS SEASON: Actor in THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (abridged) [revised] (again)
PREVIOUSLY WITH ASC: More than 137 roles in 113 productions, including the title roles in Coriolanus; King Lear; Edward II; Timon of Athens; The Merchant of Venice; Pericles; Doctor Faustus; …
Chris Johnston has over 20 years of theatre experience and more than 120 productions at the American Shakespeare Center.
Benjamin has been a resident company member with the American Shakespeare Center since 2014.
Artistic Team
Stage Manager/Prompter
Lauren is a proud company member of The Keegan Theatre in Washington, DC where she has worked as a stage manager, assistant director and dramaturg. Her Keegan credits include Hair, …
Properties Master
Chris has been designing and building props for the ASC since 2012. In that time, he’s provided props for over 60 productions, including (from Shakespeare): The Merchant of Venice; The Two Gentlemen of Verona; Cymbeline; King John; Love’s Labour’s Lost; Twelfth Night; Julius Caesar; Henry VIII; The Two Noble Kinsmen; Romeo and Juliet; All’s Well That Ends Well; Troilus and Cressida; Othello; The Merry Wives of Windsor; Henry IV, Part 1; As You Like It; Timon of Athens; Macbeth; The Comedy of Errors; Pericles; Hamlet; Much Ado about Nothing; The Taming of the Shrew; Antony and Cleopatra; A Midsummer Night’s Dream; The Winter’s Tale; Henry VI, Parts 1, 2, and 3; Henry V; The Tempest; Measure for Measure; and King Lear.
Jenny McNee joined the ASC in 2002 after studying in Richmond, Charlottesville, and Edinburgh, Scotland. She has designed and built nearly 100 shows (60 resident and touring shows, 35 holiday …
Costume Liaison
Beginning in 2012 as a Costume Shop Intern, Liz Schneider now performs dual duty as Assistant Costume Designer and Costume Liaison for the Actors’ Renaissance Season. Over the past four …
Wardrobe Manager
Molly Beth Seremet holds an M.Litt/MFA in Shakespeare and Performance from Mary Baldwin University and an M.Res in Creative Research from Roehampton University. Recent directing credits include Der Wal: A …
Understudy
This is Symmonie’s seventh season as troupe understudy, having previously understudied more than 300 roles in 29 productions during the 2013, 2014, and 2015 Summer and Fall Seasons, and the …
Stuff that happens during the play
- A ship, captained by the French pirate Albert, is caught at sea in a violent storm. His fellow Frenchmen on board include the merchant Lamure, the gallant Franville, and the gentleman Morillat. Albert’s prisoner, for whom he has developed feelings, Aminta, and his friend Tibalt are also on the ship.
- Albert struggles to steer his ship to a nearby island, so he tosses cargo, belongings, and treasure overboard in an attempt to lighten the load.
- On the island, two Portuguese castaways, Sebastian and his nephew Nicusa, watch the ship make its way to the beach. The two men reveal they have been stranded on the island, suffering from hunger and thirst, after being victims of a pirate attack that divided them from their families.
- Sebastian and Nicusa tell the newcomers the island is bleak, and though they did hear other people, they could never find them. While the French fight over the treasure that washed up on shore, Sebastian and Nicusa escape on the French ship.
- Albert decides to cross a “hellish river” to find the mysterious individuals, and discovers a community of women led by Rosellia and her daughter Clarinda.
- Courting, taking prisoners, love-triangles, and reunions ensue.
1. When was the play first performed?
Probably in 1622.
2. Where was the play first performed?
At the Blackfriars.
3. Who wrote it?
John Fletcher and Philip Massinger. These two men succeeded William Shakespeare as chief playwrights for the King’s Men – Fletcher until his death in 1625 and Massinger until his death in 1640 (two years before the theatres closed). Both men are buried at Southwark Cathedral where you can see their stones adjacent to one another in the choir stalls. The ASC has so far produced eight plays authored or co-authored by John Fletcher.
4. How are these playwrights like Shakespeare?
Like Shakespeare they did not feel confined by the strictures of classical drama about time, setting, and genre. Their plays range freely through geography and are cavalier about the passage of time. They relish a mix of the comic and the tragic.
5. How are these playwrights unlike Shakespeare?
They work harder on the plot and seem to be more comfortable with the bizarre. Story and situation drive their plays, and their characters do and say (extremely well) the things the plot needs them to do and say.
6. What do scholars think about this play?
The Sea Voyage bears a number of similarities to The Tempest (which you can see for yourself this Renaissance Season), and scholars have been interested in the issues of colonialism the two plays share. Until recently the outlandishness of The Sea Voyage seems to have forestalled much critical attention, but increased interest in the playwrights of the period not named Shakespeare has raised its stock. Before this show, the only contemporary production of the play we know of was in 2013/14 by Roving Shakespeare, Mary Baldwin College’s first MFA Company.
7. Does any controversy surround the work?
Not yet, but you could start a cottage industry out of the sensational material in a play, including pirates, cannibalism, and a world wholly ruled by women in which men are meant only to help with procreation.
8. What characters should I especially look for?
Albert, the French pirate, of course, and the three stooges who accompany him, but Rosellia the Queen of the Amazons is a wonderfully fierce creation.
9. What scene should I especially look for?
The scene in which the three stooges prepare to eat our heroine, Aminta, is comedy of a special sort.
10. What is the language like?
Sharp and humorous.


















