Jacob Daly

John Webster’s brutal and astonishing play tells the story of one of the stage’s greatest women and two of its greatest villains. The widowed Duchess of Malfi tragically defies her two powerful brothers by secretly marrying her household steward. When they uncover her deception, the brothers plot a series of horrific events that leads them all to destruction in this dark tapestry of sibling rivalry, forbidden love, unquenchable ambition, and ensuing madness.

In Love’s Labour’s Lost, the King of Navarre and his three schoolmates are ripe for an education in love from the Princess of France and her three ladies. Joining the lovers is a brilliantly goofy troupe of clowns, including the love-warrior Don Armado and the lust-sick rogue Costard, who ardently pursue the affections of a winsome country maid — and who perform an unforgettable pageant for the royals. Written around the same time as Romeo and Juliet and A Midsummer Night’s Dream, this giddy and extravagant romantic comedy is Shakespeare’s most exuberant wordfest — a joyful carnival of love, loss, and hope.

Writing at the height of his powers, Shakespeare provides a feast of language and songs — and a stage full of memorable characters — from the lovesick Orsino and Viola to the alesick Toby Belch, from the acquiescent Sir Andrew Aguecheek to the pompous Malvolio. Sublime and subversive, Twelfth Night breaks rules and bends gender to show love in all its guises and disguises.