Acting Fellow
THIS SEASON: Ursula in Much Ado about Nothing; Understudy in Henry IV, Part 2; Understudy in Henry IV, Part 1; Messenger, Woman, Understudy in A King and No King
OTHER THEATRE: Danielle and Keira in Love Factually (Second City, Kennedy Center, Washington, DC); Cassio in Othello, Marianne in Sense and Sensibility, Ensemble in Twelfth Night (Island Shakespeare Festival, Whidbey Island, WA); Witch 1 and Ensemble in Macbeth, Lady Capulet in Romeo and Juliet (Chesapeake Shakespeare Theatre); Lady Macbeth in Macbeth, Guiderius in Cymbeline (Theatre Prometheus); Virgilia in Coriolanus (Brave Spirits Theatre); Jane in Pride and Prejudice (NextStop Theatre); Ensemble in The Tempest (Shakespeare Theatre Co.); Sylvia in Two Gentlemen of Verona, Jacques in As You Like It, Mariana in Measure For Measure (Shakespeare Theatre Co: Academy of Classical Acting).
EDUCATION: Theatre Arts, University of Louisville; Classical Acting, Academy of Classical Acting Masters Program. Society of American Fight Directors recommended pass in Unarmed, Rapier/ Dagger, and Broadsword.
@4realdarklady
Shakespeare’s masterful tale of family and friends, honor and happiness, and those moments when we are forced to choose between the thing we desire and the thing we know we must do.
Travel to the land of Iberia—a sort of adult Never-Never-Land—where King Abracas’ royal dilemmas include marrying off his sister before his own feelings for her get in the way and a murderous plot against him hatched by his own mother. This show is wickedly funny!
While young Prince Hal follows the path toward kingship under the eye of his father, the aging Falstaff drinks and starts trouble. The satisfying end to a tale too full of adventure to be told in just one play...
Feel the joy of love won and the ache of love lost as this story makes you laugh, breaks your heart, and then somehow puts it back together again in Shakespeare’s tale of trickery and true love.